24 March 2011

The Ultimate Good Luck, by Richard Ford

This is, compared to what I've read so far by Richard Ford, very different. The style of writing is roughly the same, lots of time-stretching interior sentences, fine descriptions of place nuanced with what is happening, and well-drawn characters, but instead of following a story placed in the America of the late twentieth century, we are in Mexico in the 1980s, and the term fiction noir comes to mind.

Too late to hire Humphrey Bogart, but one imagines this becoming a screenplay that would be a fitting vehicle. Miss Bacall would have a role as well.

If I were a star-giver, I'd give it Five.

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