Showing posts with label blues music. Show all posts
Showing posts with label blues music. Show all posts

05 September 2015

The Mayor of MacDougal Street, by Dave Van Ronk with Elijah Wald

With a foreword by Lawrence Block.

I saw Dave Van Ronk at Caffe Lena a long time ago. The memory is dim, but I remember his big, wheezy, wonderful voice and fabulous guitar. I think this was circa 1967, but I can't be sure. I also have a faded recollection of owning at least one Dave Van Ronk LP, but the only thing I really recall is that the record itself was bright red.

This book was a pure pleasure to read. Van Ronk recalls the late 50s and early 60s in Greenwich Village. He knew many of the luminaries of that period, including Joni Mitchell, Phil Ochs, Tom Paxton, and Bob Dylan. In addition, he was friends with Mississippi John Hurt and other famous American root-musicians.

Van Ronk was a consummate musician. He put everything into his music. He began with jazz. He describes himself as a "mouldy fig," of the traditional New Orleans Jazz school -- as opposed to the be-bop revolutionaries like Charlie Parker -- but he loved it all. He listened to all kinds of music, including musical theatre and classical. As his personal style developed, he fell into the genres described as "blues," and "folk," but he devotes several paragraphs to the meaninglessness of said categories, specifically as useless barriers that do nothing to enhance or describe the art of music, and musical performance.

Reading this book was a pleasant visit to my teenage years, when I listened to every note played by Jack Elliot, Bob Dylan, Dave Van Ronk, or Joni Mitchell as if it contained the key to all understanding.

Elijah Wald did a loving and thorough job of co-authoring this memoir. Van Ronk died before it was completed, and Wald had to do his best to pick up the pieces. The result should make him very proud.

02 January 2014

Saturday, by Ian McEwan

The entire plot of this novel takes place on a Saturday in February 2003. Neurosurgeon Henry Perowne wakes up early and has a very full day. In the course of this day he sees every member of his family, including his elderly (demented) mother and drunken poet father-in-law. In addition to the reunion, Perowne faces a serious and dangerous confrontation.

I was glad to find that this book was not like the last McEwan I read, which had a trick ending. Saturday was a thoroughly good read, with a great plot and plenty to think about. There is much debate in the book about the wisdom or folly of invading Iraq, and speculation about what the outcomes of such action--or, indeed, the outcomes of inaction--might be.

There is an issue toward the end that I don't want to be too specific about as it would spoil the book for another reader, but I do think there's an unrealistic representation of the professional behavior of a surgeon here. I doubt that the event described near the end of the story would or could have taken place in a British hospital, but I suppose I could be wrong.

McEwan includes an interesting American, Jay Strong, who has come to London to work as an anesthetist, thereby reducing his salary by a great deal, because he loves (1) socialized medicine, and (2) a British woman.

A Guardian / Observer review.